Archive for the ‘writers’ Category
March 10th, 2010
Creating a fictional character can be a very simplistic task. However, creating a realistic fictional character requires a little more effort on your, the writer’s, part. It is more than just a matter of giving a character a name and description of his or her looks. It is a matter of giving a character personality, and working to make that personality come through the paper, so your readers can easily visualize the fictional person you have created. A well-developed character can either be liked or hated by your readers, depending on the characteristics and attributes given. If you can evoke strong emotions from your readers about your character, you have done a good job.
#1 Create a History
Every person has a past, so it is important to create a past for your character – even if you do not share the entire contents of that past. People evolve over the years because of their experiences and surroundings throughout their lives, and your fictional character is no different, so you need to develop a fictional past for him or her. When you are initially developing a new character, you are getting to know that character, just as your readers will get to know that character when they read your story. It is important to understand why your character will react or make decisions the way that he or she does, so it is important to have a back story that goes along with the personality that has been created for that character over the years.
#2 Show (don’t tell) His or Her Emotions
If you have not heard the phrase now, you will a lot throughout most of your English related courses: show, don’t tell. Simply saying that your character is feeling sad is not a proper description of a realistic character. People don’t feel the same emotions in the same way. Some people cry when they are sad, while others scream or go completely silent. You need to show how your characters are feeling, rather than just say how they are feeling.
Bad Example: Nora became angry after reading the letter. She just couldn’t stand it anymore.
Good Example: Nora’s face became hot after reading the letter. She viciously began to tear apart the envelope when she couldn’t look at its content any more.
Showing a character’s emotions through actions lets your readers get a better idea of what kind of personality someone like Nora has.
#3 Give Your Character Habits or Quirks
People are remembered for the little things they do that are different from anyone else, and everyone has something peculiar them that seems unique. Giving an interesting habit or strange quirk lends personality to your character. It can be as small as eating M&Ms all the time, but refusing to eat any other kind of chocolate. Or as big as having your character insist on eating at the exact same restaurant every day, and is thrown off if something disturbs this regimen. Whatever habit or quirk you give your character will allow your readers to get to know him or her better. Sometimes you can give an explanation for the behavior, but you don’t always have to. Either way, your readers will have another reason to think, “Hey, this character is interesting.”
#4 Show Relationships
We can learn a lot about individuals by the way they interact with others. If your character is very sociable, then you should show the character interacting with a lot of random people at work, talking on the phone, and even chatting with strangers on the street. But, if the character is more of a recluse and only has one or two friends, show the bond between those few characters, and maybe even show the uncomfortable feeling that character gets when dealing with new individuals.
#5 Reveal Character’s Hopes, Dreams, Aspirations
People live their lives with a particular purpose. They don’t just go through the motions of school or work without having some reason to do so. If you are going to show that your character is unhappy with his or her job, then be sure to explain why that character continues to keep that job – what is his or her motivation? Is she saving up for a car? Is he trying to pay off a loan? These are the kinds of questions that readers ask about characters who are interesting. And, if you are answering those questions, then your readers are going to enjoy your character and your style of writing that much more.
February 18th, 2010
It is one of the scariest things a writer has to face – writer’s block. You stare at the white sheet of paper, tapping your pen, and spacing out as you try to think of what to write. Looking at the blank page only reminds you that your mind is blank with ideas, too. The problem with writer’s block is that once a person feels stumped, they have a hard time forcing themselves to write anything at all. Quite often, some people even say they have writer’s block just to have an excuse not to write. Writing takes work, concentration, and creativity. Whatever your reason is for feeling that you have come down with writer’s block, here are some simple steps to help overcome your own block.
Step #1 Prewrite
Yes, you hear your instructors tell you all the time to prewrite, but do you ever listen to them? Prewriting (which is listed in another blog) is not just a way to organize your thoughts and get down ideas, it is another way to look at your writing project and force yourself to write. Getting past your writer’s block is often just a matter of looking at your task from a different perspective (or looking around your writer’s block, if you will). If you can brainstorm or outline some ideas for your writing, then you have a better chance at feeling confident and putting your pen to the paper to start writing. With all of the different methods of prewriting, there really isn’t any reason not to use at least one of them when you’re stumped.
Step #2 Write Backwards
Even after the prewriting is finished, you may still feel uncertain how you want to word your thoughts exactly. If that’s the case, jot down your ideas out of order – write the end first and the beginning last if you must. Sometimes your ideas may be scattered, which is why you are having trouble focusing on just one idea. Maybe your mind is blank with your introduction, but you know what you want to write for your body paragraphs. If that is the case, then just skip ahead. Write down whatever good ideas you think you have and reorganize them later.
Step #3 Take Your Opposing Side
If you are really uncomfortable with your topic and feel you have absolutely nothing to write about, then you may want to take yourself out of your own head and put it into someone else’s. This has nothing to do with cheating. You are supposed to write the opposite of what you really feel. Or, think of what other people would say about your subject. It may be easier putting down what you think other people feel or believe than what you actually believe. Your confidence in your own ideas may be what stops your writing. Do not use this technique all of the time though. There are some assignments where you need to give your honest opinion, and this method of breaking writer’s block may not always be suitable.
Step #4 Just Write!
It may sound harsh, but sometimes you just have to force your pen to move on the paper or to have your fingers move across the keyboard. Often people refuse to write anything because they don’t think their ideas or words are good enough. Well, when you’re struggling, writing something is better than writing nothing. Put down whatever comes to mind whether or not you think it sounds good. You can always fix it later, which is how we come to Step 5 in breaking the writer’s block.
Step #5 Walk Away… and Come Back
Sometimes students are just not in the right state-of-mind to write. If there are a bunch of things running through your head, you may need to just set up your writing assignment as best as you can and walk away from it for a while. When you come back to whatever writing you have put down, you may feel more inclined to fix your ideas and even add more ideas down on paper. Depending on how much time you have for your writing, walking away from your assignment for an hour or a full day may be just what you need to come back to your writing and look at your project with a clear head. When you come back to your writing, look it over with a critical eye, as if it were someone else’s paper, and see what you do and do not like about it. And then, take your writing from there. Unless you are taking an in-class essay, this method can be a great way to clear your mind. Otherwise, you’ll have to rely on a different method of break down that writer’s wall.
February 9th, 2010
Although many students don’t like the idea of doing extra work before they actually start their homework, writing an impressive essay actually requires putting in a little extra effort prior to putting together a final draft. Prewriting techniques involve warming up your – the student’s – brain, organizing ideas, and setting up a plan before diving straight into writing a composition. It may take just a little extra time, but you will find that if you practice some prewriting before every essay you write, your papers will be better written overall, which will in effect give a better overall grade. Ten or fifteen minutes of extra work may be the difference between a B and an A grade for your paper. And, with all of the different techniques you can use to prewrite, there really is no excuse not to use at least one of them.
Brainstorming
Writing down every idea that is related to your topic in a list form is one of the simplest forms of prewriting, which is called brainstorming. The great thing about brainstorming is that you can put anything in the list that pops into your head. If your topic is on birds and you have random thoughts like,
-They fly
-They’re pretty
-They squawk
-They poop on people’s heads
All of those things would be fine because your brainstorming ideas are related to your topic on birds.
Mapping, Clustering, Bubbling, Webbing
It has several different names, but whatever you want to call it, it is one of the quickest ways to organize ideas in a fun manner. Circling ideas and linking the related ones that surround your main idea is a messy way to be organized… which ends up feeling a lot more enjoyable than most homework does. And, since your related ideas are clustered together, your separate body paragraphs are already prepared for you. What’s better than a prewriting technique that’s fun and easy?
Free Writing
There is nothing more freeing than knowing you can write whatever you want without worrying about grammar, spelling, structure, or coherence. That is the joy of free writing – you are free to make mistakes and write whatever you want. The trick is to force yourself to continually keep your pen on the paper and write whatever thought comes to mind, while trying to think of your essay’s subject. You may go off topic at times, but that is okay. You do not want to stop or correct your free writing because you may lose a train of thought that could be useful to you later. Just force yourself to keep writing, and you will eventually have enough material to use in your composition. By reading over your free writing afterwards, you should highlight or underline any ideas you find useful to your essay.
Outlining
Although outlining is more structured than other forms of prewriting, it is a very useful format to use in order to have your essay organized prior to writing your essay, which was explained in a previous “how-to” (see “Writing Outlines”). Outlines also help your essay stay on topic. By outlining your body paragraphs with their specific points, it is easy to just refer to your ideas written in your outline before you begin writing your composition.
Asking Questions
Sometimes the only way students will work is if they feel they are being forced to. Asking yourself questions is a way to make yourself feel forced into coming up with ideas for your essay. The standard reporter’s questions – Who? What? Where? When? Why? How? – are great ways to begin asking yourself questions about your topic. If you are still writing a composition about birds, ask yourself, “Who likes birds?” or “What kinds of birds are there?” or “Where do birds live?” Obviously, you can bend these questions to your own needs; these are just ways to force yourself into coming up with answers that will inevitably lead to ideas for your essay.
January 26th, 2010
by Julia H. Jackson
Last fall, Death Cab for Cutie musician Ben Gibbard and Son of Volt’s Jay Farrar released an album entitled “One Fast Move or I’m Gone: Music From Jack Kerouac’s Big Sur.” The duo wrote 12 songs inspired by Kerouac’s 1962 novel after creating the soundtrack for an accompanying documentary. The two musicians gave new life to Kerouac’s celebrated stream-of-consciousness storytelling by creating a new sound from his Beat rhythm. The album and film have gotten good press, in part because Gibbard and Farrar are skilled composers, and also because they are continuing the tradition of recreating stories in song. Perhaps, when a story is shared in one medium, and then reinvented in another a generation later, perhaps that is when the story becomes legend. Just what do we mean? Take a look at Artists for Literacy, a nonprofit that promotes literacy through artistic learning tools, and also happens to host an entire catalog of songs inspired from books. Today we bring you 5 Songs Inspired by Literature, and you’d be surprised by how many you’d recognize.
Book: Ghost World, by Daniel Clowes, which later became the 2001 film of the same name
Daniel Clowes’ 2000 graphic novel follows the story of Enid and Rebecca, inseparable high school graduates who don’t know how to approach impending adulthood. Instead, they first mock and then befriend an older man, who slowly pushes them further apart. Aimee Mann’s album Bachelor No.2 came out the same year, and her song of the same name captures the listlessness of shared adolescence: “So, I’m bailing this town, or– / tearing it down, or — / probably more / like hanging around.”
Book: Frankenstein, by Mary Shelley
Mary Shelley’s 1818 breakthrough novel Frankenstein is a cult classic; its blend of gothic and romantic tones, combined with its epistolary format and chilling humanity, give it a weight that few books have. It has been reincarnated many times, in many ways, but perhaps none quite so unique as Bob Dylan’s 1967 recording of “All Along the Watchtower.” The song, which like many of Dylan’s most famous, is usually attributed to parables from the Bible, but according to the Artists for Literacy project, there is a link between the song and the famous monster novel. Think about it: a cold 
winter evening, and two lost souls consider a dark horizon: “There are many here among us who feel that life is but a joke. / But you and I, we’ve been through that, and this is not our fate, / So let us not talk falsely now, the hour is getting late.” And, just as the evening is coming to a close, “two riders were approaching, and the wind began to howl.” Creepy…
Book: The Grapes of Wrath, by John Steinbeck
Bruce Springsteen earned the name “Boss” for a reason; not only is he heralded as the epitome of an American rock star, but his literary influences are just as American. Steinbeck’s 1939 novel follows the Joads, a family of sharecroppers from Oklahoma who go searching for a new life in California. Springsteen’s style is fitting for this archetypal American dream story; his interpretation of the working class struggle is almost as powerful as the journey of Joads: “Got a one-way ticket to the promised land /You got a hole in your belly and gun in your hand.”
The Ghost of Tom Joad, by Bruce Springsteen
2) “1984,” David Bowie
1984, George Orwell
Few things speak to the dystopian world of George Orwell’s Oceania in 1984 than the unnerving style of a young David Bowie. The 1949 novel is ruled by the totalitarian regime of The Party, which uses mind control and public surveillance to slowly destroy human civil liberties. What better way to recognize the book’s horror, and perhaps dark truth, than with Bowie’s macabre lyrics: “They’ll split your pretty cranium, and fill it full of air / And tell that you’re eighty, but brother, you won’t care.”
Hamlet, Shakespeare
Fiona Apple has taken one of Shakespeare’s most famous monologues from one of his most famous plays, and given it a throaty twentieth century twist. Hamlet, the Danish prince, asks the question “To sleep–perchance to dream: ay, there’s the rub, / For in that sleep of death what dreams may come / When we have shuffled off this mortal coil, / Must give us pause.” And while Apple is not contemplating murder, she does conjure up the emotion and power of a timeless moment: “I got my feet on the ground and I don’t go to sleep to dream. / You got your head in the clouds and you’re not at all what you seem. / This mind, this body, and this voice cannot be stifled by your deviant ways. / So don’t forget what I told you, don’t come around, I got my own hell to raise.”
Sleep to Dream, Fiona Apple
The relationship between music and books goes back a long way, perhaps even to the days before printing presses and publishing houses, when the act of storytelling was a vocal enterprise. Once you start to dissect popular music, you’ll see how many popular songs, and even albums, are based on great novels or devoted to well-known writers. Remember Green Day’s cult hit, “Basket Case?” Doesn’t that sound a bit like J.D. Salinger’s The Catcher in the Rye? How about The Roots’ “Act Won: Things Fall Apart,” which is clearly a reference to Chinua Achebe’s most famous work? And for you rock fans—the Iron Maiden repertoire is replete with literary references: “The Lord of the Flies,” “Rime of the Ancient Mariner,” “Brave New World,” “Seventh Son of a Seventh Son.”
What do you think about this link between books and music? What’s missing from our list? Let us know what you think!
January 19th, 2010
By Julia H. Jackson
You’ve just written an award-winning, life-changing short story. At least, you’re pretty sure you have, but you haven’t shared it yet, so you can’t be quite sure when the awards start rolling in, or when your life starts changing. You want to share what you’ve written, and maybe get some feedback, but the idea of sending your little manuscript to the big wide publishing world is a little like feeding a minnow to a shark. Just what does it mean to submit one’s work? Today, we’re offering 5 Tips for Submitting Your Work because we’d love to see your name in print just as you would.
1. Do Your Research
Choose your contests and intended publications carefully. If you are submitting to a publication, reflect on its title, major themes, and choice of work. Dog Fancy magazine probably wouldn’t want your 20-page vampire story, nor would The Magazine of Fantasy and Science Fiction go for your Shakespearean sonnet. Magazines and journals rely on subscribers, and it is always a good idea to give them the impression that you’ve taken the time to read an issue or two. What kinds of pieces do they normally publish? Do any themes emerge? Do they publish poetry, fiction, nonfiction, art?
2. Follow the Directions
At the risk of sounding like your English teacher, following directions is always key for any writer. Many publications receive a disproportionate amount of submissions compared to the time they have to read, so editors might set aside a list of submission guidelines. These guidelines serve not only to weed out the incomplete submissions, but also to streamline the selection process. Pay attention to details such as word and page count, typeface and size, genre preference, deadlines, number of submissions, and method of submission. Although digital submissions are increasingly common, there are still some publications or contests that may require paper submissions sent via snail-mail.
Here’s an example of submission guidelines, taken from The Atlantic Monthly’s annual student writing contest:
“SUBMISSIONS should not exceed three poems or 7,500 words of prose. No entrant may send more than one submission per category, and entries must be postmarked by December 1, 2009.
MANUSCRIPTS should be typewritten (one side only, please) double-spaced, and accompanied by a cover sheet with the following information: title, category, word count, author’s name, address, phone number, e-mail address (if available), and academic institution. Of this information, only the title should appear on the manuscript itself.”
3. Don’t Submit Your First Draft
Remember that award-winning, life-changing short story? Remember how it started? Part of being a writer is finding your own writing process. Regardless if you’re the next Ernest Hemingway or Jhumpa Lahiri, your work can always benefit from a little feedback. Before sending your story off, share it with a trusted friend, teacher, or classmate. Double check to see that the piece you have meets the contest’s criteria, and that its topic or themes are relevant. Take pride in your hard work, and eventually others will too.
4. Cast a Wide Net
There is definitely an element of luck that goes into the world of publishing. But one trait all writers must posess is an almost die-hard persistence. Set realistic expectations, and try not to limit your options. Want to submit to The New Yorker? Great, but don’t forget the plethora of smaller, independent publications that might be searching for a new voice.
5. Try, Try Again
In an interview with Poets and Writer’s Magazine, poet and frequent contest-winner Gregory Loselle commented that rejection is tough, sometimes a real dedication to the piece at hand pays off: “Another positive experience I’ve had more than once this year is that two poems which had consistently not won awards—after many, many tries—and which I was thinking of ‘retiring’ from submission, turned out to be prize winners. I would suppose that it’s just a question of the work finding its destined reader—and of not giving up hope.”
Loselle brings up an important idea: audience. Remember that many times, the best writing is not written for an intended person or publication, but for the sake of storytelling itself. Take your rejections and acceptances with a grain of salt, and try to get something from the experience either way.
Whatever happens, don’t be afraid to take a chance. In the words of Sylvia Plath,“And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.”
Have you been published before? Want to share some advice? Keep us posted! Let us know when we can read your award-winning, life-changing short story.
